When Easy Rider rewrote the box-office rulebook in 1969, Hollywood scrambled to catch up – and 20th Century Fox noticed that one particular independent filmmaker was seeing impressive returns from tiny investments. So what would happen if he was given a decent budget and the run of a Hollywood studio and told to make the ultimate Russ Meyer film? Well, this is the result: an initially X-rated cult camp classic about an all-female rock band trying to parlay Midwestern success into a Hollywood contract with the aid of a hefty inheritance. But will they be able to maintain their trademark apple-pie wholesomeness under their new manager, the notorious Ronnie ‘Z-Man’ Barzell? Take a wild guess. Co-scripted by film critic Roger Ebert, Beyond the Valley of the Dolls is a merciless satire of Hollywood and the music business, a no-holds-barred psychedelic thrill-ride that gleefully stirs sex, drugs, rock’n’roll, fashion, lesbianism, transvestism and Nazis into one of the most riotously unhinged mainstream films ever made.
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