Added to your basket
Three Edgar Allan Poe Adaptations Starring Bela Lugosi (Masters Of Cinema)
RRP: £34.99
£25.99
Save: £9.00
-
4 instalments of £6.49 with clearpay Learn more
This trio of classic 1930s horror films-Murders in the Rue Morgue, The Black Cat, and The Raven-is also distinguished by a trio of factors regarding their production. Most notably, each film is based on a work by master of the macabre Edgar Allan Poe. Part of the legendary wave of horror films made by Universal Pictures in the 30s, all three feature dynamic performances from Dracula's Bela Lugosi, with two of them also enlivened by the appearance of Frankenstein's Boris Karloff. And finally, all three benefit from being rare examples of Pre-Code studio horror, their sometimes startling depictions of sadism and shock a result of being crafted during that brief period in Hollywood before the enforcement of the Motion Picture Production Code's rigid guidelines for moral content.
Director Robert Florey, who gave the Marx Brothers their cinema start with The Cocoanuts in 1929, worked with Metropolis cinematographer Karl Freund to give a German Expressionism look to Murders in the Rue Morgue (1932), with Lugosi as a mad scientist running a twisted carnival sideshow in 19th-century Paris, and murdering women to find a mate for his talking ape main attraction. Lugosi and Karloff teamed forces for the first time in The Black Cat, a nightmarish psychodrama that became Universal's biggest hit of 1934, with Detour director Edgar G. Ulmer bringing a feverish flair to the tale of a satanic, necrophiliac architect (Karloff) locked in battle with an old friend (Lugosi) in search of his family. Prolific B-movie director Lew Landers made 1935's The Raven so grotesque that all American horror films were banned in the U.K. for two years in its wake. Specifically referencing Poe within its story, Lugosi is a plastic surgeon obsessed with the writer, who tortures fleeing murderer Karloff through monstrous medical means.
Significant and still unsettling early works of American studio horror filmmaking, these three Pre-Code chillers demonstrate the enduring power of Poe's work, and the equally continuous appeal of classic Universal horror's two most iconic stars.
Special Features:
- High Definition Blu-ray (1080p) presentations for all three films, with The Raven presented from a 2K scan of the original film elements
- Uncompressed LPCM monaural audio tracks
- Optional English SDH subtitles
- Murders in the Rue Morgue - Audio commentary by Gregory William Mank
- The Black Cat - Audio commentary by Gregory William Mank
- The Black Cat - Audio commentary by Amy Simmons
- The Raven - Audio commentary by Gary D. Rhodes
- The Raven - Audio commentary by Samm Deighan
- Cats In Horror - a video essay by writer and film historian Lee Gambin
- American Gothic - a video essay by critic Kat Ellinger
- "The Black Cat" episode of radio series Mystery In The Air, starring Peter Lorre
- "The Tell-Tale Heart" episode of radio series Inner Sanctum Mysteries, starring Boris Karloff
- Bela Lugosi reads "The Tell-Tale Heart"
- Vintage footage
- New Interview With Critic And Author Kim Newman
- PLUS: A 48-PAGE collector's booklet featuring new writing by film critic and writer Jon Towlson; a new essay by film critic and writer Alexandra Heller-Nicholas; and rare archival imagery and ephemera
- Masters of Cinema
- 189 mins approx
- Robert Florey
- Edgar G. Umar
- Lew Landers
- 15
- Bela Lugosi
- Boris Karloff
- Sidney Fox
- Jacqueline Wells
- David Manners
- Lester Matthews
- Irene Ware
English SDH
- English
- 2
Three Edgar Allan Poe Adaptations Starring Bela Lugosi (Masters Of Cinema)
RRP: £34.99
£25.99
Save: £9.00
Sold out
-
4 instalments of £6.49 with clearpay Learn more
Delivery & Returns
This trio of classic 1930s horror films-Murders in the Rue Morgue, The Black Cat, and The Raven-is also distinguished by a trio of factors regarding their production. Most notably, each film is based on a work by master of the macabre Edgar Allan Poe. Part of the legendary wave of horror films made by Universal Pictures in the 30s, all three feature dynamic performances from Dracula's Bela Lugosi, with two of them also enlivened by the appearance of Frankenstein's Boris Karloff. And finally, all three benefit from being rare examples of Pre-Code studio horror, their sometimes startling depictions of sadism and shock a result of being crafted during that brief period in Hollywood before the enforcement of the Motion Picture Production Code's rigid guidelines for moral content.
Director Robert Florey, who gave the Marx Brothers their cinema start with The Cocoanuts in 1929, worked with Metropolis cinematographer Karl Freund to give a German Expressionism look to Murders in the Rue Morgue (1932), with Lugosi as a mad scientist running a twisted carnival sideshow in 19th-century Paris, and murdering women to find a mate for his talking ape main attraction. Lugosi and Karloff teamed forces for the first time in The Black Cat, a nightmarish psychodrama that became Universal's biggest hit of 1934, with Detour director Edgar G. Ulmer bringing a feverish flair to the tale of a satanic, necrophiliac architect (Karloff) locked in battle with an old friend (Lugosi) in search of his family. Prolific B-movie director Lew Landers made 1935's The Raven so grotesque that all American horror films were banned in the U.K. for two years in its wake. Specifically referencing Poe within its story, Lugosi is a plastic surgeon obsessed with the writer, who tortures fleeing murderer Karloff through monstrous medical means.
Significant and still unsettling early works of American studio horror filmmaking, these three Pre-Code chillers demonstrate the enduring power of Poe's work, and the equally continuous appeal of classic Universal horror's two most iconic stars.
Special Features:
- High Definition Blu-ray (1080p) presentations for all three films, with The Raven presented from a 2K scan of the original film elements
- Uncompressed LPCM monaural audio tracks
- Optional English SDH subtitles
- Murders in the Rue Morgue - Audio commentary by Gregory William Mank
- The Black Cat - Audio commentary by Gregory William Mank
- The Black Cat - Audio commentary by Amy Simmons
- The Raven - Audio commentary by Gary D. Rhodes
- The Raven - Audio commentary by Samm Deighan
- Cats In Horror - a video essay by writer and film historian Lee Gambin
- American Gothic - a video essay by critic Kat Ellinger
- "The Black Cat" episode of radio series Mystery In The Air, starring Peter Lorre
- "The Tell-Tale Heart" episode of radio series Inner Sanctum Mysteries, starring Boris Karloff
- Bela Lugosi reads "The Tell-Tale Heart"
- Vintage footage
- New Interview With Critic And Author Kim Newman
- PLUS: A 48-PAGE collector's booklet featuring new writing by film critic and writer Jon Towlson; a new essay by film critic and writer Alexandra Heller-Nicholas; and rare archival imagery and ephemera
- Masters of Cinema
- 189 mins approx
- Robert Florey
- Edgar G. Umar
- Lew Landers
- 15
- Bela Lugosi
- Boris Karloff
- Sidney Fox
- Jacqueline Wells
- David Manners
- Lester Matthews
- Irene Ware
English SDH
- English
- 2
Other customers bought:
Customer Reviews
Top Customer Reviews
Customer reviews are independent and do not represent the views of Zavvi.
Lugosi 3 film
Brilliant so glad I purchased this set.
Was this helpful?
Great 1930's Universal Horror
These three films come from the early 1930’s, when the idea of the horror film was just being created. Nobody had a firm idea of what it was. ‘Murders in the Rue Morgue’ has a couple of scenes from the original story, but the main focus is Lugosi’s Doctor M attempting to cross the blood of streetwalkers with that of his ape. (A man in a gorilla suit, with close-ups of a chimp at a misguided attempt at realism.) The story nods towards ‘The Cabinet of Dr Caligari’ with the plot and sets with a finale that anticipates the climax of King Kong. It’s also pushing at censorship with the implication of streetwalkers and a knife fight between two men. The Black Cat is actually the darkest of the three, with Boris Karloff as the military traitor, turned architect, turned devil worshiper. Lugosi, having been locked in prison for 15 years, travels there for revenge, with the boring young couple dragged into this. The film explicitly references the First World War with the smooth arch-deco house, built over a battlefield. Lugosi is good as the hero and has a great protagonist in Karloff as the smirking villain. (Did this character of an architect worshipping dark forces, influence the idea of Ivor Sandor in Ghostbusters?) With a notoriously violent for the time climax and showing a group of modern devil worshipers, this could have led to new avenues in horror films. The Raven feels like an early version of ‘Theatre of Blood’ with Lugosi playing an Edgar Allan Poe-obsessed surgeon obsessed by a dancer. Karloff, plays an escaped convict, mutilated by Lugosi to act as a henchman. Lugosi enjoys himself gloating over the fate of others and chewing the scenery, “Poe, you are avenged.” All of these films are great fun for fans of vintage horror, with a lot to re-discover. While the story of Bela Lugosi is a tragedy, his best work still survives.
Was this helpful?
